cuts · mac & iphone

Editing is choosing what matters.

The film lives in the words. Cuts turns your take into a page of text — delete a word and the cut is made, on the Mac and on the iPhone, without anything leaving the device.

Get it for Mac Get it for iPhone

01 · the gesture

Your video, as a page of text.

This one is real — flip the auto toggles, or click any word. Watch the runtime.

take 01 · transcript
auto:

So, um, I started making videos because I thought, like, I had something to say. ¶ 0.6s It took me years to learn— let me try that again. ¶ 0.4s It took me years to learn that the story is, you know, whatever survives the cut.

Delete the word. The cut is made.

01 · the caret

One mark does all the cutting.

The transcript is the timeline. Put the caret in a word, delete it, and the video loses exactly that — no handles, no keyframes, nothing to drag.

02 · silence

Every pause has a shape.

Cuts marks the dead air between words and shows it inline. Keep it, shorten it, or drop it — three levels, from a light trim to none at all.

03 · looks

Film looks, dealt like cards.

Portra, Kodachrome and friends in a drawer of vintage film cards. Flick, tap, graded — and the preview is already the render.

04 · subtitles

Eleven styles. Zero keyframes.

Word-timed subtitles come from the transcript you already have. Pick a style; the keywords are chosen on device.

05 · privacy

Nothing leaves your device.

Transcription, decisions and rendering all happen locally — on the Mac it was cut on, or the iPhone it was filmed with.

02 · two rooms, one desk

On the Mac. On the phone. The same sentence.

Cuts Studio for macOS — the transcript is the timeline, with the monitor and the film strip beside it
the desk · Cuts Studio, for macOS
Cuts for iPhone — cutting by word where the take was filmed
the pocket · Cuts, for iPhone